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Name: Charity
Birthday: 6/28/1986
Gender: Female


Interests: Pillow fights. chocolate binges. 5am walks ;). spooky cemeteries. Keane. Saint Augustine. musing. The Fray. writing. Coldplay. caramel frappuccinos. J.D. Salinger. Sunny days by the beach :).
Occupation: Student


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AIM: HotWok86


Member Since: 3/27/2005

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Saturday, July 08, 2006

The Unborn Word

It trembles

and

withers in the dark

it

shudders, hesitant

 

to breathe

the chill of waking light,

and sip

the dripping shades of dawn

but in sleep

it dreams

of chocolate ink

and a song

on white lined paper

 

-Edit-

 

Random haikus from Charity and Brooke.

  

Height and eyebrows of

an oaf, yet malleable

when social winds blow.

 

Tacit scorn bleeds from

an injured pride, that is not

ready to forget.

 

Six beers to dull his

scruples, before the curb-side

date with candy lips.

 


Friday, May 26, 2006

 

Humid Summer Rain

A sketch of Hannah Clarkin, by Charity

The room is murky. The walls are plastered with paper. She has been visiting for twenty minutes, or maybe just five. A man enters grasping a black snake with white dots. She moves toward him and it stirs—cold fangs pierce the top of her hand. The snake recoils, then strikes again, and again, methodically slicing through her flesh. There is no time to scream.

 

Hannah Clarkin wakes with a start, still smacking her hand against the wall of her dorm room—just three hours till morning.

 

 

Her sleep of late has been erratic, peppered with nightmares and moments of suffocating immobility. “I am a very fearful person,” says Hannah, a 21 year-old senior at Patrick Henry College, a Christian liberal arts institution. “When I was a kid, I thought up all sorts of scary scenarios. I used to imagine my house burning down.”

 

Hannah grew up in Shutesbury, Massachusetts. Once, when she was twelve, she and her friend Jessica ventured into the logging woods behind her house. Months before, they had discovered a small, seemingly deserted cabin deep in the woods. Although too frightened to inspect it at the time, the girls resolved to come back.  Week after week, they crept toward it, each time coming closer than the last; finally they reached its front door. After a few moments of nervous fidgeting, Jessica swung it open, then froze. Hannah felt her body tense in fear; she could not see into the cabin because her friend stood petrified in the doorway. Their minds flooded with tales of rape and molesters they had heard from Jessica’s parents, both psychiatrists. Jessica screamed, “There could be a rapist in the house!”

 

They looked down and noticed new, empty, beer bottles sprinkled around the cabin. They were miles from town, and that only meant one thing. Somewhere, close by, there was a beer-drinking pervert just waiting for two curious young girls to discover his cabin. At this thought, the girls took off. Looking back on the escapade, Hannah chuckled and said, “It was probably good we didn’t bump into anyone.”

 

With the exception of several creepy experiences, Hannah has always loved her home by the sea; an eclectic, comfortable blend of eight younger siblings, her striking Italian mother; a calligraphist and artist, and her intellectual father; an electrical engineer. While in Providence for spring break, she wrote:

 

Despite all you've heard about how many people live here and how noisy it is, most afternoons are long and still. Sometimes the phone rings and every few hours there is the groan of the stairs when Dad comes down to the kitchen to make more green tea. Abby reads Lemony Snicket on the couch, her feet twitching and turning with delight, Andrew and Lydia color at the table, Lydia biting her tongue side to side in delicious concentration,  Mom steals a nap in her bedroom.

 

During the past two summers, Hannah attended the Sanctuary, a Christian worship service, with several of her teenage siblings. “It [the music] starts off quiet,” she says, “and gets very electric and loud.” The room is lit with candles, and in the summer, the shades are pulled so that the candles are brighter. The Sanctuary does not have a pastor; rather, a handful of individuals contribute to each service. “We do lots of different readings,” said Hannah. Poetry is often delivered and now and then an artist paints a picture on glass coinciding with that Sunday’s theme. After services, many remain to pray. “It’s little and organic,” she said, “and it some ways, intellectual.”

 

Annie Wilcox, Hannah’s roommate, said, “She [Hannah] is constantly striving to know what real Christianity is.” In a recent blog post, Hannah included a quote from Brooks Williams:

 

The questions are real. They never stop—like the steady summer rain falling outside my window. I’ve got Miles Davis on the stereo. It’s a “Kind Of Blue” kind of day, if you know what I mean. Some truth is waiting here to be collected, placed on my tongue like a wafer in communion, if only I could ask the right questions. I keep wishing the fundamentalists are right—that everything is cause and effect, black and white. But I stare up into the mystery, and it’s gray and thick like humid summer rain.”

 

Hannah is a literature major.  She admires authors Annie Dillard, Dan Eggars Anne Lamott, J.D. Salinger, and especially enjoys Flannery O’ Connor’s letters and the journals of Sylvia Plath. “She doesn’t mind authors who swear, because that is real,” said Annie. “She realizes there is more to life than just the pretty outside package.”

 

Each day, Hannah writes for one to two hours on “just about everything”—journal entries, critical essays, poetry— She even brings her slender flesh-toned journal to Theology, each Monday, Wednesday, and Friday. When the professor strays from his outline, perhaps digging more deeply into the doctrine of predestination or spontaneous freedom, she leisurely slides her journal over the lecture notes, and writes, hunched low. On March 1, 2006, she wrote,

 

I've been writing what I want to again. In the margins of my notebooks, in the pages of my journal….breathing prose that curls up off the page like the steam from morning tea.

 

Though a prolific writer and booklover, it is through music and song writing that her soul is refreshed: a smooth sip of Kim Taylor in the morning, a cold, sour shot of Bright Eyes at noon; before bed, the warm, tangy brew of Over the Rhine.

 

“She doesn’t like manufactured pop-culture,” says Annie. “I’ll be singing Kelly Clarkson at the top of my lungs and she’ll get this little look on her face. Then she’ll put on her Sufjan Stevens with some tortured song about serial killers!”

When Hannah was a child, her mother gave her a tape recorder. “I used to walk up and down the driveway making up songs,” she recalls, “and I always got in trouble with my dad for singing too loud in the shower.” She was “really into singing” until the age of 14 when she quit piano and joined highschool debate, a decision she still regrets. Only recently did she begin to take her talent seriously: “I can’t ignore it,” she said. “I would really like to write songs. That would be a culmination of everything I like the most--combine the most natural impulses I have along with the most sacred things I feel.”

 

 

 

Hannah’s future beyond Patrick Henry is cloudy. After graduation, she plans to live in a city, perhaps along the west coast; but eventually, return to New England and the Atlantic sea.

 

 

You caught me laughing on my doorstep

for pure joy

and fearless for a moment,

held my eye

 

you caught a glimpse of my delight

As you paused before me
but my hand is on the door now

i drop my gaze

 

So it’s back to the silent interior

behind the shades

of my own eyes

and it’s back

to the solitude

that grows so dark at night

 

(i may open a window for the streetlight)

 

Hanah Clarkin-11/05

 

 


Saturday, February 25, 2006

THE FRAY CONCERT! 

january 23, 2006

LOOK AFTER YOU

If I don't say this now I will surely break
As I'm leaving the one I want to take
Forgive the urgency but hurry up and wait
My heart has started to separate

Oh, oh, oh
Oh, oh, oh
Be my baby
Oh, oh, oh
I'll look after you

There now, steady love, so few come and don't go
Will you won't you, be the one I always know
When I'm losing my control, the city spins around
You're the only one who knows, you slow it down



Oh, oh, oh
Oh, oh, oh
Be my baby
Oh, oh, oh
I'll look after you

If ever there was a doubt
My love she leans into me
This most assuredly counts
She says most assuredly



Oh, oh, oh
Oh, oh, oh
Be my baby
I'll look after you



It's always have and never hold
You've begun to feel like home
What's mine is yours to leave or take
What's mine is yours to make your own


 

Currently Listening
How To Save A Life
By The Fray
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Thursday, November 24, 2005

Brian Andreas.

 

I don't know how long I can do this, he said. I think the universe has different plans for me & we sat there in silence & I thought to myself that this is the thing we all come to,  & this is the thing we all fight , & if we are lucky enough to lose, our lives become beautiful with mystery again & I sat there silent because that is not something that can be said.

 

 

You're the strangest person I ever met, she said & I said you too & we decided we'd know each other a long time. 

 

 

Make sure you got clean underwear, she always said, & I always figured that'd be the least of my wories, but now I'm older & I see there's a lot you can't control & some you c an control & clean underwear is one of those you can.

 

 

Filled to the brim with dangerous thoughts & no where to put them since she lives in a small town & everybody's always watching.

 

 

[www.storypeople.com]

 

Currently Reading
Going Somewhere Soon: Collected Stories & Drawings
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Friday, September 23, 2005

 

Mr. Brightside

Coming out of my cage
And I've been doing just fine
Gotta gotta be down
Because I want it all

It started out with a kiss
How did it end up like this?
It was only a kiss
It was only a kiss

Now I'm falling asleep
And she's calling a cab
While he's having a smoke
And she's taking a drag

Now they're going to bed
And my stomach is sick
And its all in my head
But she's touching his chest now

He takes off her dress now
Let me go
And I just can't look its killing me
And taking control

Jealousy turning saints into the sea
Swimming through sick lullabye
Choking on your alibis
But its just the price I pay
Destiny is calling me
Open up my eager eyes
'Cos I'm Mr Brightside

Currently Listening
Hot Fuss
By The Killers
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